An Introduction to Australian Horror
In honour of Australia Day, I was asked to write an article about Australian horror for This Is Horror in the UK — and it’s now up! The article surveys some of the standout horror published in the past two years by Australian independent presses: so much to talk about, so much incredible talent!
Australia is a land of extremes. One minute the country is ravaged by drought and bushfires, the next it’s drowning in devastating floods. The continent is a combination of enormous red deserts meeting sprawling metropolises meeting ancient tropical rainforests meeting endless coastlines. Some of the largest — and tiniest — deadly predators on the planet are hidden out in the wilds, but are also unearthed in suburban backyards. Over it all, the harsh Australian sun beats down. Casting the longest, darkest shadows.
And right there — right where the glaring light gives way to shade — a population of Australian horror writers thrives. It’s a great position to be in. Looking at stories published by independent presses in the past two years, we find that Australian horror can plunge wholly into the black, even more tragic and disturbing by contrast to the brightness left behind; it can be light-hearted but nuanced, love and joy limned in darkness; or it can tread both worlds, supernatural and terrifying and endearing all at once…
Read the rest here — and enjoy!
Tuesday Therapy: Banishing Obsessive Demons
For the third installment of the Tuesday Therapy series, Kirstyn McDermott shares some advice that makes me think she’s worked out some magical way to SEE INSIDE MY HEAD. Seriously. (*knocks on forehead* Kirstyn? Are you in there?) I wouldn’t put it past her — the way she multi-tasks, it would come as no surprise to discover that she’s unravelled the secrets of telepathy while working on her award-winning novels. And her award-winning short stories. And her (no doubt soon to be award-winning) podcast.
Kirstyn writes incredibly powerful horror and dark fantasy stories — if you haven’t yet read Madigan Mine, do so. The novel is perfectly paced, the characters are alluring, and the prose is simply gorgeous. It reads as though each word has been carefully chosen, carefully considered — this is not a book that was whipped off in the space of a few months, which I find extremely reassuring. As is Kirstyn’s therapeutic advice:
I have two inspirational quotes for you. The first I came across at university and I’ve never forgotten it:
“Hard writing makes easy reading. Easy writing makes hard reading.” William Zinsser
I mutter this all the time, reminding myself that good writing is hard. That it’s meant to be hard. That a writer’s job is to make the reading part easy. The other quote comes from a member of my personal pantheon of saints, Salvador Dali. I’ve loved Dali’s work ever since I first clapped eyes on “The Persistence of Memory” when I was about ten years old. However, I only recently came across this bit of wry advice:
“Have no fear of perfection — you’ll never reach it.”
Nothing you write is ever going to be perfect, so stop angsting over every damn word and syllable, Kirstyn. There’s a profound feeling of relief and freedom in that realisation. I’m going to use it to banish the anxious, obsessive demons that take over my brain every now and then.
Thanks so much, Kirstyn!
Madigan Mine won the 2010 Aurealis Award for Best Horror Novel and the 2011 Chronos Award for Best Long Fiction. Amongst other places, Kirstyn’s award-winning short fiction has been reprinted in Stephen Jones’ Mammoth Book of Best New Horror and the Year’s Best Australian Fantasy and Horror 2010. She has a new collection coming out next year as part of Twelfth Planet Press’s Twelve Planets series. Once a month, you can catch her and Ian Mond discussing all things speculative on The Writer and the Critic podcast. Kirstyn’s website can be found here.
The Writer & The Critic, Episode 12
OMG the pod has been cast!
This month’s episode of The Writer and the Critic, hosted by the ever-awesome Kirstyn McDermott and Ian Mond, features Bluegrass Symphony and Rob Shearman’s fantastic collection, Everyone’s Just So So Special.
I haven’t yet mustered up the nerve to listen to the podcast — though rumour has it that Kirstyn and Ian say wonderful things about my book (THANK YOU!!!), and Ian may or may not have believed that Angela has been calling me “Brian” all this time, instead of Brain. (Which is just as hilarious as when a dear friend of mine confessed that she thought I was talking to myself every time I mentioned writing with “Brain”. Because, she said, that sort of behaviour would suit my weird world… LOL!)
So, yes. The pod has been cast.
It’s all very exciting.
Have I mentioned that they say wonderful things about my book?
Head on over to the W&TC website and listen to Episode 12, or download it on iTunes.
And, yes, I will listen to it.
Probably.
Ooooh, the scarexcitement!
Happy, exciting, scary news!
The happy: Episode 11 of The Writer and the Critic podcast went live yesterday. The freshly-pressed ep is now sitting patiently in my iPod, waiting for me to listen to it and, inevitably, embarrass myself by giggling like a maniac while doing so. There should be a warning label that says something along the lines of “Do not listen while on public transport. Kirstyn McDermott‘s pointy stick + Ian Mond = guffaw”. Or something.
TW&TC gives me the happies. Which is why, when I discovered yesterday that Episode 12 will feature the following two books, I got a serious case of SCAREXCITEMENT:
The excitement: Bluegrass is being reviewed on TW&TC next to Rob Shearman’s wonderful new collection, Everyone’s Just So So Special!!
The scary: Bluegrass is being reviewed on TW&TC next to Rob Shearman’s wonderful new collection, Everyone’s Just So So Special!!
Rob’s writing is AMAZING. Full stop. If you haven’t read any of his short stories yet — actually, that’s too horrible to contemplate. Click on the cover, click on the link, do whatever you have to do to buy yourself a copy of this book. And also Tiny Deaths, which is one of my Top 5 favourite books of all time. And also Love Songs for the Shy and Cynical. Trust me.
Tune in next month for Episode 12 of TW&TC, and imagine the flutter of scarexcitement I’ll be experiencing (if I can bring myself to listen to it!!) while Kirstyn and Ian chat about Rob’s brilliance and my poor country folk.
This is SO COOL.
It’s here!!
Hip-hip-hooray!! Three boxes filled with copies of Bluegrass Symphony showed up on my doorstep this morning, in plenty of time for the launch on August 19th!
And for those of you in Adelaide who may want to stop by and say hello at the launch, the details are as follows:
VENUE: SA WRITERS CENTRE
2ND FLOOR
187 RUNDLE STREET
TIME: 7 pm FRIDAY, 19 AUGUST 2011
BLUEGRASS SYMPHONY WILL BE LAUNCHED BY NEW YORK TIMES BESTSELLING AUTHOR, SEAN WILLIAMS.
“Lisa L Hannett’s collection plays like a country music album composed in the darker places of imagination, the little corners that you don’t want to look in as you tap-tap your foot to the catchy beat. Coolly beautiful, then coldly brutal, this is one of the most unnerving debuts in years.”
— ROBERT SHEARMAN
“BLUEGRASS SYMPHONY introduces a rare and original voice whose stories linger, dark and luscious and bold as tarnished brass, long after you have finishing reading them.”
— KIRSTYN MCDERMOTT
And, of course, if you can’t make it on the night you can certainly order a copy (hardcover or trade paperback!) at www.indiebooksonline.com 
Loves, New and Old
1) Podcasts
So, I’d listened to the first two episodes of ‘The Writer and the Critic’ (aka Kirstyn McDermott and Ian Mond sharing news, opinions and reviews about mostly-speculative-fiction books) and then in the madness of finishing the PhD of Doom I apparently forgot about anything that wasn’t directly related to medieval Icelandic literature.
However.
Going to Swancon last week and attending a great session about podcasts (with Kirstyn, Helen Merrick and Jonathan Strahan) reminded me how many awesome Aussie podcasts there are at the moment! As soon as I got back home I had a little look-see on iTunes, downloaded the remaining W&tC episodes that I’d missed (and, Kirstyn, your “Hello future people” comments were eerily accurate!), along with a bunch of Galactic Suburbia shows, some Coode Street episodes with Jonathan Strahan and Gary Wolfe, and Helen and Tama’s Pangalactic Interwebs. It is a teensy bit weird listening to them out of sequence, and listening to the news updates after the fact – but, all in all, I am SO HAPPY these creative and intelligent people are casting such amazing pods for our edjamucation! Kirstyn & Ian make me laugh out loud – so much so that I had to stop listening to them while at work because I was giggling like a loonie at my desk – and I’ve now got so many novel recommendations from GS that I fear my poor bedside table is going to collapse under the weight of all the new books I have to get. (Yes, *have* to get.)
Three cheers for great specfic discussions!
2) Being PhD free (aka Getting My Life Back)
Sure, I still have to officially submit the thesis for examination. But as far as I’m concerned, the writing – the hard slog, the tears, the agony – is finished. Which means, of course, that all that time I previously devoted to researching, thinking, agonising, and eventually writing the thesis can now be dedicated to other, much more enjoyable things. Like reading! In anticipation of the ‘Game of Thrones’ series, I’ve been re-reading George R.R. Martin’s series, and it’s a joy to just read something for fun! I also stocked up on Aussie independent press books while in Perth, and am now working my way through Dead Red Heart, Scenes from the Second Storey, More Scary Kisses and also the first two books in the Twelve Planets series. Well, I started that one with the second book, I admit: Tansy Rayner Roberts’ Love and Romanpunk accompanied me on the plane home from the convention, and it was delightful! I can’t wait to read Sue Isle’s book (#1 in the series), which is currently top of the teetering pile of books on the abovementioned overloaded bedside table. I’m also reading a fabulous collection of short stories (not speculative fiction) by Simon van Booy called Love Begins in Winter; I’m only one story in but already there have been some devastatingly beautiful phrases that have made me sigh with happiness (unlike the sighs of angst, woe, and omgihatemythesis that accompanied the reading I was doing earlier this year for research purposes…) Being sans PhD has also opened up waaaaaaaaaay more time for me to hide away in:
3) The Writing Oubliette
As I mentioned in my post-Swancon post, Angela and I have started working on Midnight and Moonshine, our joint collection. We are really excited about this book and, at some point in the near future, we intend to do some joint blog posts about the collaborative experience of writing short stories… But for now, I just want to revel in the fact that I actually have a bit of time to dedicate to this project, and working on it doesn’t make me feel guilty about procrastinating because there ain’t no more stooopid thesis to drag me down! Obviously I’m still getting accustomed to this – it still doesn’t seem entirely real that I really, really, really do have some time now – and so I have to keep saying it aloud (or, in writing, as the case may be) to convince myself that it’s true.
I also have to get used to writing like a writer again, instead of writing like an academic. This wasn’t a problem for me while I was in the “I’ll be done the thesis one day” stage; for the past two years I’ve been writing and publishing stories and working on drafts of my thesis chapters without one feeding too much into the other. But since January – the month in which I did nothing (nothing) but work on the thesis – I’ve been so focused on finishing this massive research project that any time I went to work on a story the prose sounded like a research paper. (Ask Brain: she’ll vouch for this fact. Dry, dry, dry!) I was still getting loads of fun ideas for short stories, but my brain was in a completely different space in terms of making these ideas into stories. And, to be honest, since it has taken me until, well, now to finally get rid of the research I have only recently been able to start writing like a writer again.
So starting to work on ‘Wyrmwood’, which is going to appear about halfway through Midnight and Moonshine, has been an excellent way to get my story-writer head back on straight.
The words are back!
The author sighs in relief.
Year’s Best Australian Fantasy and Horror 2010
Liz Grzyb and Talie Helene, editors of the inaugural Year’s Best Australian Fantasy and Horror anthology, have just announced the table of contents — and, I’ve got to say, I’m squeeeeeeeeeeeeing over how many awesome stories are in this book! And squeeing over how lucky I feel! (And how gorgeous is this cover?!?!)
RJ Astruc: “Johnny and Babushka”
Peter M Ball: “L’esprit de L’escalier”
Alan Baxter: “The King’s Accord”
Jenny Blackford: “Mirror”
Gitte Christensen: “A Sweet Story”
Matthew Chrulew: “Schubert By Candlelight”
Bill Congreve: “Ghia Likes Food”
Rjurik Davidson: “Lovers In Caeli-Amur”
Felicity Dowker: “After the Jump”
Dale Elvy: “Night Shift”
Jason Fischer: “The School Bus”
Dirk Flinthart: “Walker”
Bob Franklin: “Children’s Story”
Christopher Green: “Where We Go To Be Made Lighter”
Paul Haines: “High Tide At Hot Water Beach”
L.L. Hannett: “Soil From My Fingers”
Stephen Irwin: “Hive”
Gary Kemble: “Feast Or Famine”
Pete Kempshall: “Brave Face”
Tessa Kum: “Acception”
Martin Livings: “Home”
Maxine McArthur: “A Pearling Tale”
Kirstyn McDermott: “She Said”
Andrew McKiernan: “The Memory Of Water”
Ben Peek: “White Crocodile Jazz”
Simon Petrie: “Dark Rendezvous”
Lezli Robyn: “Anne-droid of Green Gables”
Angela Rega: “Slow Cookin’ “
Angela Slatter: “The Bone Mother”
Angela Slatter & LL Hannett: “The February Dragon”
Grant Stone: “Wood”
Kaaron Warren: “That Girl”
Janeen Webb: “Manifest Destiny”
The editors will soon begin reading for the second volume of The Year’s Best Fantasy and Horror — visit the Ticonderoga Publications website for more details. The anthology is scheduled for publication in June 2011 and will be available in hardcover, ebook and trade editions. You can pre-order this book at http://indiebooksonline.com.
Aussie Author Month! Or, What DIMIA *should* have asked…
Last year, as many of you know, I became an Australian citizen. For five years I had to jump through all of Immigration’s hoops in order to prove I was fit to stay here: criminal background checks, character checks, interviews, blood tests, chest x-rays, mugshots… You name it. They’ve got copies of my mail, family photographs, passports. They’ve got statutory declarations from my bosses, my PhD supervisor, my friends. Honestly, I am so on the grid in this country, it’s not even funny. In fact, I wouldn’t be surprised if Immigration has recordings of my weird sneezing habits (I sneeze a lot. Usually in series of 3, 5 or 7. I’m sure if you ask the folks at DIMIA they’ll play you the tapes – after you’ve filled out at least seven hundred forms, and paid a substantial fee.)
But after all the testing – including the multiple choice “Become an Australian Citizen” quiz I had to take last year to finalise the process – there is one thing those wily folks at 55 Currie Street neglected to ask me. And, frankly, this question should’ve weighed heavily on their list:
Who are some excellent Aussie authors?
(Take note, DIMIA. This question is so much more insightful than, “What is Australia’s official language?” or “In this country, do we vote by raising our hands?” How is that supposed to determine whether or not I’m suitable for citizenship?? Err, sorry. That’s a rant for another day.)
Ahem.
April is Aussie Author Month, a cross-genre collaboration that aims to support and promote Australian writing and raise funds for the Indigenous Literacy Foundation* (click here to make a donation to the ILF). It’s such a worthwhile cause, I wanted to be a part of it.
So, in honour of Aussie Author Month, I’m going to answer Immigration’s unasked question and gush a bit about some of the Australian authors that inspire me and make me proud to be among their company. (This isn’t a complete list; it’s an indicative one. I’m bound to add to it as soon as I click ‘publish’ on this post because that’s when I’ll realise I forgot this one and that one and, crap! That one too! Still, here goes.)
All-time fave:
- David Malouf, Complete Short Stories, Ransom, and An Imaginary Life. I love Malouf’s writing with a white hot passion. LOVE. I know I’ve just elicited a round of groans from everyone who was force-fed Fly Away Peter in high school. But I read Malouf by choice; I’d never heard of Malouf until I moved here (which is more a comment on my reading habits at the time than on Malouf’s international celebrity) but I have adored every word of his that I’ve read since. An Imaginary Life changed the way I think about characters – forever – and Ransom is so beautiful it made me sob. And his short stories are superb. Every single last one of them.
Yeah, it’s personal…
- This whole exercise is completely subjective, so it will come as no surprise that Angela Slatter appears on this list. Why try to hide it? Why shuffle her down to, say, #8 or #10, as though to pretend I am more blasé about her writing simply because she’s my dear friend? I mean, sure, we share a Brain and all. But the long and short of it is: her writing rocks. You should all know this by now. And if you don’t, then visit her website poste-haste. Get your hands on her stories. Experience the magic of her worlds, her lovely turns of phrase, her amazing characters all for yourselves. Go’on now: the list will wait.
- While I’m at it, let’s lay all the cards on the table. I’m a fan of Peter M. Ball’s short stories. Horn and Bleed are fantastic novellas, but for me Peter’s shorter pieces are precisely to my taste. Reading ‘On the Destruction of Copenhagen by the War Machines of the Merfolk’ or ‘Saturday Night, with Angel’, or ‘To Dream of Stars: An Astronomer’s Lament’ … Well, it’s like Pete crawled into my head; found exactly the type of prose I find appealing; the bizarre but also familiar settings; the poignant scenarios; and mashed all these elements up and turned them into stories that fill up my inner happiness metre.
Enchanting settings, memorable characters:
- Garth Nix’s Old Kingdom trilogy and Sean Williams’ Books of the Change have stuck with me over the years because I read them within the first year of moving to Australia. They encapsulate my experience of getting to know the landscape, the country, and the wild imaginations people have here! They were, and still are, so refreshingly different to many fantasy trilogies. The bells, the necromancers, the paperwings (to name but a few) in Nix’s series captivated my imagination to such an extent that I wrote about Abhorsen in my Honours thesis; and Sean’s setting! The desert, the sea, the elemental magic – it was South Australia as I want to envision it (and still do, years and years after I read these books!) And aren’t we lucky that these two have paired up to write a series together! Can’t wait to read it!
- Margo Lanagan – umm, everything she’s written. I have to read her short stories in small doses because they are so good I might OD with joy if I tried to read them all in one go. Tender Morsels deserves all the favourable attention it’s been getting – the World Fantasy Awards were designed for insanely wonderful writing like Margo’s.
Recent treats:
- John Harwood, The Séance (Victorian/Gothic ghost story; both chilling and lovely!)
- Eva Hornung, Dogboy (A reinterpretation of the ‘boy raised by wolves’ story, set in Russia; incredibly moving)
- Kirstyn McDermott, Madigan Mine (Supernatural/psychological thriller; such fine writing, and still so visceral at one stage I felt queasy – which, in my books, is a good thing. It’s a sign of how engaged I was in the tale; I couldn’t put it down, even when my blood phobia kicked in!)
- Trent Jamieson, Death Most Definite (Nicest protagonist you’ll have met in a while, plus Bonus! story with rollicking pace!)
- David Sornig, Spiel (Rosa Stumm is real. Rosa Stumm is a fake. Is it all a game? You decide. Some beautiful writing and an intriguing story.)
On the horizon:
There’s still sooooo much Aussie writing I want to read; soooooooo much of it is stacked on my bedside table! To name but a few that have tantalised me, taunted me, and which will be read:
- Jack Dann, The Memory Cathedral
- Tansy Rayner Roberts, Power and Majesty
- Kaaron Warren, Dead Sea Fruit (I’ve got the gorgeous hardcopy! Oooh how it wants to be read!)
- Lian Hearn, Blossoms and Shadows
- Lucy Sussex, My Lady Tongue & Other Tales (picked it up for a bargain a month ago…)
- Scott Westerfeld, Leviathan
- Justine Larbaliester (Um, need to read everything of hers!)
- Alan Baxter (ditto)
Such excellent authors, such excellent books — now all I need is an oubliette in which to hide and real them all!
*The Indigenous Literacy Project aims to raise literacy levels and improve the lives and opportunities of indigenous Australians living in remote communities. It supplies culturally appropriate books to over 200 remote communities across Australia, is trialing an early literacy project aimed at 0-2 year olds, translates books into local language and works hand in hand with remote communities on literacy projects. ILP was established in 2006 by educator and bookseller Suzy Wilson and is an initiative of the Australian Book Industry. It works in partnership with the support of many organisations including the Australian Publishers Association, the Australian Booksellers Association and the Australian Society of Authors.
Publishers Weekly reviews Dead Red Heart and More Scary Kisses…
…and has very flattering things to say about both! More Scary Kisses (ed. by Liz Grzyb) gets a fine review here with specific nods for Fraser Sherman, Liz Coley, Felicity Dowker, Kirstyn McDermott, and co-authors Martin Livings and Talie Helene! Awesome stuff! Dead Red Heart (ed. by Russell B. Farr) also gets a really positive review: standouts mentioned are by Shona Husk, Angela Slatter (yay!) and the multiauthored adventure that is ‘The Tide’.
Congrats, all!
To give you an idea of what Dead Red Heart has in story for you, visit Angela’s Slatter’s website for a passage from her awesome story, ‘Sun Falls’. And here’s a snippet from the opening of my story, ‘White and Red in the Black’:
The shit-stench of fear stings DJ’s nostrils, pungent in the midsummer heat. Scattered across the pen, a dozen sheep lie heavy on their sides, heads twisted at unnatural angles. Dust-grey fleece clumps around their necks with a red so dark it looks black in the moonlight. Deep gashes shear their flanks, faces, legs: finger-wide and bloody, evidence the animals managed to break their attackers’ grip at least once.
Dingoes, thinks Daniel Shenk Jr, a sour taste in his mouth. Three, maybe four.
High-pitched bleats still yodel into the night, no less frantic now than when they’d called the farmer’s son from his tea. Eager to put as much distance between themselves and their mangled mates, the surviving sheep press against DJ’s legs, tripping him up as he walks across the enclosure. His knees crack as he crouches beside one body. Death clouds the ram’s eyes. Wet irises roll far back in the sockets; its sightless stare almost completely white.
DJ’s voice breaks as he bellows for his father.
He scans the pen, looks for any sign of how the culprits got in. Panicked hooves have churned the packed ground into a mess of pits and furrows; there are no tracks inside or around the perimeter, no ochre tufts of canine hair caught on the fence. But for weeks he’s heard those wild dogs howling as the distant crackle of bushfire smoulders up the peninsula from Wangary all the way to Poochera. Shaking his head, he swats flies away from his ears and brushes them off the carcass. He traces a finger along its velvet muzzle, rests a hand on its flank. The wool is greasy and still warm beneath his touch. His palm comes away wet.
The dead sheep convulses. Tremors run from rump to shoulder and its body jerks as though possessed. Scrambling to stand, DJ trips on a rut and falls on his arse. The corpse inches towards him, moving across the dirt in erratic bumps and jolts…
Both anthologies will be launched at Swancon in April — hope to see you all there for the celebrations!
Lists of Excitement!
So it’s been a pretty busy couple of days for Aussie authors on heavy-hitting lists, namely the Stoker Preliminary Ballot and the Locus Recommended Reading list for 2010.
Sure, you could instantly clickity-click on the links I’ve just provided to see the lists in full – but before you do why don’t we give three cheers to Stoker contenders: Kirstyn McDermott (Superior Achievement in a First Novel for Madigan Mine), Shane Jiraiya Cummings (S.A. in Long Fiction for ‘Requiem for the Burning God’), Dave Conyers (S.A. in editing the Cthulu’s Dark Cults anthology), Amanda Pillar and Pete Kempshall (S.A. for editing the Scenes from the Second Storey anthology). And for the awesome authors and editors recommended by Locus – it’s so exciting to see so many familiar names on the list, but particularly the Sprawl anthology edited by Alisa Krasnostein; stories by Peter M. Ball and Cat Sparks from said anthology; and not one, but TWO mentions for stories written by the dear other half of our Brain, Angela Slatter.
(And of course it’s always awesome to see Margo Lanagan, Garth Nix, Jonathan Strahan, and Sean Williams on these lists — hell, I’m stoked with pretty much every choice the panel of readers has made!)
*Hip-hip-hooray!*
Twelve Planets (and we wants them all, precioussss)
Exciting news from the Twelfth Planet Press website: Margo Lanagan, Lucy Sussex, Rosaleen Love, Tansy Rayner Roberts, Deborah Biancotti, Kaaron Warren, Cat Sparks, Sue Isle, Kirstyn McDermott, Narrelle M Harris, Thoraiya Dyer, and Stephanie Campisi have been announced as the lineup for the Twelve Planets project! I’m a great fan of many of these authors, so I can’t wait to get my hands on all twelve of these books!
I’ve snurched the blurb from the TPP website so that you, too, can see how cool this concept is:
The Twelve Planets are twelve boutique collections by some of Australia’s finest short story writers. Varied across genre and style, each collection will offer four short stories and a unique glimpse into worlds fashioned by some of our favourite storytellers. Each author has taken the brief of 4 stories and up to 40 000 words in their own direction. Some are quartet suites of linked stories. Others are tasters of the range and style of the writer. Each release will bring something unexpected to our subscriber’s mailboxes.
The Twelve Planets will spread over 2011 and 2012, with six books released between February and November each year. The first three titles will be Nightsiders by Sue Isle (March), Love and Romanpunk by Tansy Rayner Roberts (May) and the third collection will be by Lucy Sussex (July).
I simply cannot tell you…
…how much I am looking forward to reading this book:
Madigan Mine is Kirstyn McDermott’s debut novel and will be published by Picador in August 2010 — pre-order it if you can. This one’s going to be amazing.
It you don’t believe me, here’s the blurb:
OBSESSION NEVER DIES …
When Alex meets Madigan again everything changes. His childhood sweetheart is beautiful and impulsive, but there is something wrong with her. Something dangerous.
Then she commits suicide.
Now Alex can’t get Madigan out of his head. Is it all in his mind, or is she communicating with him?
To save himself and those he loves, Alex must uncover the sinister reason why Madigan took her own life – and why she won’t lie still in her grave.
What did I tell you? If you *still* don’t believe me, then believe this: K McD writes prose like nothing you’ve ever read before. Trust me.
